employing the dark feminine? Miley Cyrus

I personally find Miley Cyrus' expressions to be pretty tacky, grasping, and quite predictable. Of course part of this is due to her age, she is only 20 after all. That- and she's sprouted out of our crassly materialistic, plastic gummy bear culture. Normally I just ignore things like this, but something about it, a few particular elements have really crept under my skin. So, with astro files in hand, I thought I'd see about shedding some light on why the pinging, the relentless pinging. http://www.mileycyrustongue.com/

UPDATE: per Frank Clifford, Miley Cyrus' official birth time is now known.
New chart:

Cyrus was born with the Sun in Sagittarius - the sign of the centaur, half man and half animal, shortly before sunset, making hers a diurnal chart, and so the more positive and productive planets for her are those in the day sect: Jupiter and Saturn. With the Sun in a fire sign we know immediately it has strength, due to it being in its own triplicity. The trigon lords for fire are Sun and Jupiter, Saturn is a participating ruler. With fire we know that a measure of success and honors is important to the person (Su/Ju). The Sun is also in the Egyptian bounds (aka 'terms') of Jupiter, as is Venus and Saturn. When posited in the bounds of a benefic such as Jupiter, the ancients believed it 'magnified the fortune of the native.' Moon, Mercury, and Mars are posited in the bounds of Saturn. 

Configured by sign with the Sun is the north node of the moon, Rahu, a notoriously individualistic and eccentric creature in Indian astrology. Rahu is the head of the dragon [or serpent], its tail, the south node of the moon, is Ketu. And these are the lunar eclipse points. Somewhat different from the modern psychological western approach to astrology (that the north node is where you are headed and is most certainly good for you), Rahu is known more for its dark side in India - having an insatiable, exaggerative, hypnotic, and illusory quality. Beyond this wide configuration with the Sun however, the nodes are not conjunct or square (at the bendings) anything else in the chart. So we'll move on.

The Moon is in Scorpio, the sign of its fall -opposite its exaltation. The Lot of Fortune resides at 23 Taurus, at the Ascendant, as she was born during a very dark waning moon. (And is awfully close to the notorious fixed star, Algol.) Mars, known as "Nergal" to the Babylonians, is the planet rising first, leading the way. Mars unrestrained and on its own can be a bit too fierce or aggressive, especially in a daytime chart as it is here. For time immemorial Mars has been associated with war, destruction, the plague, and so on. It's also how we direct our will and shows how and what we have passion for, and is sometimes (especially per Uranian perspective) reflective of our work. Mars is in Cancer here, a sign ruled by the Moon, and so associated with the body, feelings, family, nourishment, and shifting tides (it changes). Cancer is the sign of Mars' fall.

Theo Wargo/WireImage 

Theo Wargo/WireImage 

With the Moon in Scorpio the two are making a nifty exchange, seeing one another from the other's domicile. This is a reception, usually a helpful connection, though with both planets in their fall (and contrary to sect) their benefit to each other is altered. As Tom Callanan notes on Skyscript: it is "like two drunks helping each other home." As it's a trine aspect, it is an easy unimpeded help; a maximum assist. And Mars, at its worst with the Moon, can be a degradation of the body or feminine form, or dis-ease for the body generally, or just a load of anger. Consider her ease of expression with regards to raunchy tongue poses and twerking (from Wikipedia): "Twerking is a type of dancing in which an individual, usually a female, dances to music in a sexually provocative manner involving thrusting hip movements and a low squatting stance."


One thing I always take note of when examining a chart is where the Moon has been and where it is headed - its separating and applying aspects. In this case we see the Moon has separated from a conjunction with Pluto, then a square from Chiron - with my traditional hat on, I forgo the aspects with Pluto and Chiron, as they are transpersonal bodies and are invisible to the naked eye, and instead note the Moon is visibly separating in a square aspect from Saturn. And its next visible application is with Mercury. Firmicus Maternus, a 4th century astrologer, writes about the Moon's translation of light from Saturn to Mercury:

 

"But if the Moon had little light, then either it impedes the sound of the voice or deafens the ears. But it also debilitates the bodies of those who have it thus with wretched weariness; it makes persons suffering from melancholy, jaundiced, splenetic [bad-tempered; spiteful], consumptives [wasting], those suffering from dropsy, [or] lung disease..."

He goes on, but I think you get the picture. 

 

Saturn has a few faces in astrology. It is the father, sometimes the king, or a worker of the land, or the people. At other times, a dark figure or criminal. Most often it is associated with older men, gives a serious approach, and is connected with the ripening of karma (or fate). It can also be indicative of illness, or makes bodies slender and with angular features. 
 

Another biggie on my list: I look for planetary stations. And voila, Mercury! - and Mars. 

Cyrus has a heliacal rise Mercury. It is about to station direct - within a week of her birth to be exact (what we call phasis). And this happens to show up with some frequency in the charts of those special souls who have something to communicate to the world - either vocally, or technically (see Bill Gates and Steve Jobs charts), or to SELL us something. Mercury is the great "merkerter" after all. Here Mercury is in the sign of the Scorpion, a water sign where Venus and Mars rule by triplicity (highlighting passions, love and strife) and is retrograding back to a conjunction with Pluto. It has a fierce bite.  

Mercury connects to Mars when the sun culminates -
note: Moon Pluto

Speaking of fierce, the other planet close to its station, Mars, turned direct about five days before her birth (also a phasis). Essentially what this means is the two planets, that also happen to be in closest aspect in her chart (another on the A-list in my sequence of delineation), are nearly standing still in their fervent watery embrace. And it is on this day that their kiss - or excessively sexualized message (Mercury), as Sinead O'Connor warns - perfects. This perfection occurs at about noon, when the sun culminates - which is, in fact, another way to look at a chart without a known birth time: the rising or culminating chart for the sun on the day in question. 
 

A key to understanding all the passion, fusion, creativity, love/hate, and muse-seeking sides to water, as mentioned above, is in the element's two primary trigon lords, Venus and Mars (the Moon is a participating ruler). In Cyrus' chart we see all of her nocturnal planets (Venus, Mars, Moon) in the yin/feminine signs (earth/water), and all of her daytime sect planets (Sun, Jupiter, Saturn) in their own triplicity as well (fire/air). This gives her a kind of comfort in her skin, not that it makes observers comfortable in their own. 
 

winter solstice 2013 

Venus stationing retrograde

Her Venus is posited in the 'traditionally' lusty sign, Capricorn - and I'm willing to make a very predictable prediction: there will be more Cyrus controversy in the news in the coming months. Venus begins her infrequent retrograde cycle soon, stationing Rx on the solstice, Dec. 21, @ 28'58 Capricorn, and turns direct on Jan. 31 @ 13'33 Capricorn. This is one degrees from Cyrus' Venus. 

Cyrus' Venus is configured with Uranus - a defiant oddball at worst - and at best a refined, striking, and original beauty, a grace hard to surpass (think of Elizabeth Taylor). However Taylor unlike Cyrus had Venus in Aries contra-antiscion her Pisces Sun and dispositing to her Pisces Mars. Pisces being the exaltation sign of Venus elevated its position in Aries, for Taylor, to something pretty remarkable, though it was still in detriment, and in the sign of Mars, associated with cutting and separations, and so not without difficulty (visible in her relationships). Cyrus on the other hand has Venus dispositing to Saturn in Aquarius where Saturn has strength, but its offering to Venus is indirect and without reception. Nor is there an aspect between them. To me it feels a little like the old patriarch pulling the lipstick and powder puff strings from behind the curtain, calculated and measured. It feels stiff.

Venus is also configured with Jupiter in a square aspect. This dominating square from Jupiter in Libra to Venus in Capricorn, the sign of Jupiter's fall, may help explain how abundance explodes [or implodes] into a pretty tasteless and materialistic excess. 'The business of beauty.' Though Venus does benefit in the exchange. Saturn too, ruler of the ninth and tenth houses of travel and profession, is greatly helped receiving this blessing-filled trine from the great benefic (Ju) posited in the sign of the reaper's (Sa) exaltation: Libra. 

Of special note: the planetary periods for Venus and Jupiter have been activated this year while Cyrus is 20 years of age; Venus = 8 years and Jupiter = 12 years (8+12=20). And this activation is even more potent as the planets are in aspect. The time for a tacky boom is now, apparently. 

 

Sun in Sagittarius is contra-antiscion Mars in Cancer
Pluto is in a distant (under 2 degree) antiscion to the Midheaven  

SYMMETRY

Contra-antiscia:  Sun Mars

Her latest work:  Wrecking Ball  

Previous work:  We Can't Stop


Sun|Mars from Ebertin's
The Combination of Stellar Influences 
the will
activity
ambition
determination
courage to fight
the power of attainment
the desire to be in the limelight
inclination to quarrel
hastiness
soldier..

And it seems she will stop at nothing...
 

Updated chart with twelfth-parts is quite illuminating! Look where Venus and Mars' t-p fall. 

For those interested in the twelfth-parts (dodecatemoria) - See the Venus Mars positions right at the Ascendant(!) in Mars' bounds. This reiterates an animalistic, lusty nature; sexuality up front and center; and not necessarily great for health, or for the wellness those things signified by Venus (love and relating, and aesthetics). Jupiter's position @ its fall with natal Venus, again, the "bu$iness of beauty." 

Free software: Morinus
 

K U R T

Today it has been nineteen years since Kurt Cobain's death. To commemorate him, his life's work, his bittersweet poetic and musical contribution to the world (which I personally think was of tremendous importance), I will delineate a few elements of his natal chart that I believe speak a great deal to his style and character and maybe also to his destiny.  

As you probably already know, much about astrology is finding recurring or reiterating themes (i.e. confluence). Usually one does not make a judgement or assessment about a chart based on a single factor alone. This is especially true when examining a natal chart (a person's birth chart). When an astrologer sees repeating or similar factors emerging from different aspects of the chart, they can be near to certain that the expression of those themes will be present and active in the native's life. With Kurt Cobain we see this.
 


First, some basics. You can see in his chart the Sun is under the horizon in the sign of Pisces, Venus' exaltation. He was born after sunset. The rising sign is Virgo, and in the hour and minutes of Cobain's birth the long-standing conjunction of Uranus and Pluto were rising right on the horizon at his Ascendant. His character was greatly defined by these two radical outer planets.

Mercury is the lord of, and is exalted at, the Ascendant and is another major definer of character. It is in Pisces, which is the sign of its fall, and it sees the Ascendant from the seventh place. A planet in its fall frequently must do things outside the box -- in some way outside what society deems is acceptable or normal or appropriate. This somewhat androgynous Mercury, guiding souls to and from the underworld, is a powerfully descriptive planet for him. In earlier times, when we would not have had Uranus and Pluto to help us see immediately the revolutionary or rebellious qualities inherent in his chart, we would associate much of these things to Mercury in Pisces (along with the position and aspect of Saturn, more on that in a minute). 

Cobain's powerful Moon in Cancer (the Moon rules Cancer) is positioned in the eleventh sign from the Ascendant, the place of friends, gain, and Good Spirit. The Moon is the sect light (the 'luminary of the sect in favor' - due to it being a night chart) and is of supreme importance. It is configured with Jupiter which is also in Cancer (Jupiter is in its exaltation). Jupiter is a great benefic and can bring great success, and Jupiter is positioned here in its own house of Joy strengthening the association. There can however be a tendency toward indulgence and extravagance with Jupiter and that possibility is increased here due to its being a night chart. Because Jupiter is a planet belonging to the day sect, and is therefore out of sect in this chart, its potential for boundlessness, knowing no limits, is increased. This can be good and bad, and in Cobain's case I believe we see both. The good and bad is reiterated again by aspects the Moon and Jupiter receive: superior trines from both Venus, the benefic that is of the sect in favor (for a night birth), also in its sign of exaltation, and Saturn, the most difficult malefic being out of sect at night. Venus Saturn being dark art, torment and love. (As an aside, you see the Moon configured with Jupiter in Whitney Houston's chart too, though in the second sign from the Ascendant; Saturn also is in a superior aspect. She too was a night birth. I'm not implying that you will always see problems associated like the ones shared by these two artists, but wanted to mention this similarity in expression.)

Returning to Pisces, the seventh sign from the Ascendant -- classically a place of marriage, enemies, the later part of life, and death -- we see the Sun configured with Mercury, Venus, and Saturn. Saturn being contrary to sect is a very important player here, it colors Cobain's character in a very strong and distinct way -- a way of decay, darkness, and heaviness, like lead. (Another aside, these are a lot of planets dispositing to a very dignified (by sign and place) benefic, Jupiter. We see something similar in Jimi Hendrix's chart: the Sun, Mercury, and Venus all in Sagittarius disposing to Jupiter also exalted in Cancer and configured with the Moon.)
*See charts for both Houston and Hendrix at bottom of article. 

Next we note Cobain's Mars, the "better" of the hard-working malefics, is dignified in its own sign Scorpio, which favors meaningful conflict and struggle and a preference for experiences that are passionate and devotional. This is the third sign from the Ascendant, one might say a place of oracles, and as it's Mars (in Scorpio) its expression is intense. Configured here with Mars is the south node of the Moon (a.k.a. Ketu, a mystical, otherworldly figure) and Neptune. This leads us to an importantly precise grand trine between Neptune, Jupiter, Venus and Saturn. Flowing, and again, knowing no bounds, for better and worse . . . inspiration, devotion, manifestation of melancholic beauty, fantasy, slipping into escape, overwhelm . . . a dream that's gotten out of control.

The Lot of Fortune (an alternate Ascendant) is in Taurus and its ruler Venus is located in the eleventh sign from fortune, a place of acquisition. Again: the place of friends, gains, and Good Spirit, a place associated with Jupiter; a theme is reiterated. 

Much of what we associate with Neptune was originally expressed through Jupiter and Saturn. Something to think about....

 

MUSIC +
POETRY

Cobain was born just a couple of days before both Mercury and Neptune stationed retrograde. Because stations occur over time, meaning the planet from our perspective doesn't just stop on the day of its station, but slows down and stalls out, literally standing still for days at a time, any planetary station which occurs within a week of one's birthday (on either side of the date) is of huge importance. 

Indian astrologers hold the opinion that retrograde planets are actually at their strongest -- this usually differs from traditional or modern Western thought. 

Mercury, along with Venus, is very much associated with music and musicians.
Neptune, the imagination. 

 

SYMMETRY

 

Being the huge nerd that I am, I also love to examine declination +and+ antiscia.

With Cobain we see parallel conjunctions of Mercury, Venus, and Saturn. We already know that the planets are conjunct by zodiacal degree (longitude), but by declination (sharing the same latitude) they are even more closely aligned. This further strengthens their conjunction and because they all rest near the celestial equator (by 2.5 degrees of Southern declination), they are very much tied to the earthly plane.

Note too that the Moon is way Out Of Bounds. Another signature for a bit of a radical character and unrestrained energy; and ruling the eleventh, extremes apply to fortune and friends, and, as astrologer Austin Coppock points out, fans.

 

ANTISCIA?
 

Planets and angles connected by antiscia (symmetry around the zero degree cardinal points) have been recognized as important and potent for at least two thousand years.

A more modern perspective sees connections across the axis as illuminating 1) that a person will connect to the world, and 2) how that person will connect with the world (whether it be intentional or not).

With Cobain we see a strong connection between the powerful and dignified luminary of sect the Moon and his Midheaven. The Moon is emotion, it rules the public, also women and the feminine. And this ties the lord of the eleventh (again), the place of Good Spirit, fortune, and friends, to the MC (Midheaven) - the point of profession, one's mission or path, and culmination in the life, and for Uranian astrologers: the soul. In fact, in Reinhold Ebertin's classic book, The Combination of Stellar Influences, the principle delineation given for Moon|MC is =

"One's own soul." 

 

To me, Kurt Cobain expressed, exposed, and shared with us his soul. He certainly touched other souls. Like the Moon, his work and nature was not, or seemed not to be, rational. And his music, his lyrics, prose and poems, uncomfortable at times (Saturn), sometimes desperately sad, touched and spoke to others on what I can only think of as an emotional (Moon) soul level. 
 

 
 



Leave a comment if you like. 


androgynous mercurial chart ruler 

androgynous mercurial chart ruler 

eclipse : new Saros Series : on the 90 w TNPs

Today, July 1, marks the very first eclipse of a new Saros Series. The series contains 72 eclipses in total with the final one occurring in 3237. This new moon/solar partial eclipse lands at 9 degrees 12 minutes of Cancer. The sabian symbol for this degree, 10 Cancer, is  A large diamond not completely cut. (Keyword: Latency.) If the eclipse falls in a prominent place in your own chart, i.e. conjunct or in dynamic aspect to one of your planets or angles, this might have pronounced meaning for you at this time.  

This birth of a new cycle is also meaningful for the collective.  

When we look at the eclipse chart on the 360 and 90 degree dials, some very important details pop out:

ec 4.jpg

First we see that the only planet directly on the cardinal axis is the TNP (transNeptunian) Hades. You can find more information on Hades in previous articles, but in essence Hades relates to service, things from the past, that which is dirty or worn out, difficulty and hardship, and things hidden like the occult.

ec 3.jpg

Moving to the 90 dial, we see more come to light as we turn the dial to 22.5:

Here we find Poseidon connected to Pluto + Kronos, with Mars close by. Poseidon rules light; it has to do with high-mindedness, understanding, philosophy and culture. It is like a higher octave of the planet Neptune, and so relates to spirit and enlightenment. The combination of Pluto and Kronos speaks to great change and/or development. All energies playing together should indicate some potential for highly transformative and spiritual development in the culture.  


 

ec 5.jpg

Another immensely important combination occurring at this eclipse is Pluto/Kronos falling at the precise midpoint of Mars and Jupiter.

If Mars Jupiter typically indicates successful action and Pluto is the result, it seems to speak of an enormously rich time for (or beginning of?) big changes and transformations occurring because of or through fortunate decisions or activities. With Kronos, it's knocked up a notch or, in a more mundane sense, makes reference to leaders or people in authority. 

 

 

ec 6.jpg

Venus also falls on an important axis:

Venus lies at the midpoint of three planetary configurations! In order, by tightness of orb, they are: Hades Node, Cupido Uranus, and Vulcanus Admetos. This could speak to some less than comfy circumstances as Hades Node can indicate unpleasant affairs or associations. However, if we consider the higher side of Hades -- service, tradition, or things from the past, it might be indicating more social interest in these matters. Certainly with the other combinations to Venus it could speak to continued difficulty for people and communities, but with the aforementioned potential for big time transformation it may just be showing the way to that transformation and why. Meaning: the culture is in trouble and sudden or drastic measures might need to be taken to deal with great obstacles, violence, or loss.  

I think because there is a strong Poseidon and Plutonian influence in this chart, what we will come to face as a culture, or as many cultures around the globe, we can work through.  To me, this illuminates the hindrances and limitations at hand and that more may arise, but that we can transcend, go beyond, grow from and out of a very difficult time. 

ec 7.jpg

One final midpoint to mention is Jupiter on the axis of Sun Neptune and Moon Neptune -- and in the US chart, Saturn MC. 

To me, this indicates optimism in the face of difficult circumstances and the unknown. Modesty and simplicity ought to be welcome and encouraged at this time. And what we don't know can help us, so keep an open mind. Imagine futures full of possibility, and work on keeping a compassionate outlook. 

Please feel free to leave a comment or ask a question, or offer your perspective!