Sun Poseidon signifies her use of light (as in photographic images). It is pure energy and spirit, but can also be associated with spirits, as in ghosts. On this midpoint axis also lies Venus Pluto, indicative again of her immense creative power; and Ve|Pl pushes through Sun Poseidon its darker, more annihilative quality. Adding to this force is Mercury Vulcanus also standing on the axis. Many of her images have blurry or moving figures. This is literally what Me + Vu = Su means: a body in motion.
Zeus and Kronos also figure prominently, standing near Pluto. Zeus and Kronos, especially with Pluto and Venus, signify enormous creative inspiration, mastery, and an eagerness to work. Think how young she was when she began working and how many incredibly beautiful images she created in such a short amount of time.
One final important TNP to note on this Sun axis is Hades. Standing at precisely 22.5 from her Sun (see the large black dot), Hades reiterates many of the themes already noted, and additionally signifies old and outworn things, garbage, death, decay, filth, secrets or hidden things, want, and loneliness. Are her images not utterly representative of Hades Poseidon?
After writing this article, I came across a review and thought it described eloquently the symbols as I saw them. The New York Review of Books writer, Eizabeth Gumport, said of Francesca's work:
Her concealed figures, however, call to mind corpses, or ghosts, as if the wall between our world and the spirit realm had begun to fall. In her images, dust abounds, and there are no new buildings, only ruins, whose disintegrating forms evoke the wrecks admired by the eighteenth- and nineteenth-century Gothic revivalists often cited as major influences. The out-of-focus figures are faint and friable-seeming, and Woodman’s gray tones as powdery as crumbling stone.
While there is so much more we could learn from this sadly poetic chart, I want to move on to the date of her death: Jan 19, 1981.