I personally find Miley Cyrus' expressions to be pretty tacky, grasping, and quite predictable. Of course part of this is due to her age, she is only 20 after all. That- and she's sprouted out of our crassly materialistic, plastic gummy bear culture. Normally I just ignore things like this, but something about it, a few particular elements have really crept under my skin. So, with astro files in hand, I thought I'd see about shedding some light on why the pinging, the relentless pinging. http://www.mileycyrustongue.com/
UPDATE: per Frank Clifford, Miley Cyrus' official birth time is now known.
Cyrus was born with the Sun in Sagittarius - the sign of the centaur, half man and half animal, shortly before sunset, making hers a diurnal chart, and so the more positive and productive planets for her are those in the day sect: Jupiter and Saturn. With the Sun in a fire sign we know immediately it has strength, due to it being in its own triplicity. The trigon lords for fire are Sun and Jupiter, Saturn is a participating ruler. With fire we know that a measure of success and honors is important to the person (Su/Ju). The Sun is also in the Egyptian bounds (aka 'terms') of Jupiter, as is Venus and Saturn. When posited in the bounds of a benefic such as Jupiter, the ancients believed it 'magnified the fortune of the native.' Moon, Mercury, and Mars are posited in the bounds of Saturn.
Configured by sign with the Sun is the north node of the moon, Rahu, a notoriously individualistic and eccentric creature in Indian astrology. Rahu is the head of the dragon [or serpent], its tail, the south node of the moon, is Ketu. And these are the lunar eclipse points. Somewhat different from the modern psychological western approach to astrology (that the north node is where you are headed and is most certainly good for you), Rahu is known more for its dark side in India - having an insatiable, exaggerative, hypnotic, and illusory quality. Beyond this wide configuration with the Sun however, the nodes are not conjunct or square (at the bendings) anything else in the chart. So we'll move on.
The Moon is in Scorpio, the sign of its fall -opposite its exaltation. The Lot of Fortune resides at 23 Taurus, at the Ascendant, as she was born during a very dark waning moon. (And is awfully close to the notorious fixed star, Algol.) Mars, known as "Nergal" to the Babylonians, is the planet rising first, leading the way. Mars unrestrained and on its own can be a bit too fierce or aggressive, especially in a daytime chart as it is here. For time immemorial Mars has been associated with war, destruction, the plague, and so on. It's also how we direct our will and shows how and what we have passion for, and is sometimes (especially per Uranian perspective) reflective of our work. Mars is in Cancer here, a sign ruled by the Moon, and so associated with the body, feelings, family, nourishment, and shifting tides (it changes). Cancer is the sign of Mars' fall.
With the Moon in Scorpio the two are making a nifty exchange, seeing one another from the other's domicile. This is a reception, usually a helpful connection, though with both planets in their fall (and contrary to sect) their benefit to each other is altered. As Tom Callanan notes on Skyscript: it is "like two drunks helping each other home." As it's a trine aspect, it is an easy unimpeded help; a maximum assist. And Mars, at its worst with the Moon, can be a degradation of the body or feminine form, or dis-ease for the body generally, or just a load of anger. Consider her ease of expression with regards to raunchy tongue poses and twerking (from Wikipedia): "Twerking is a type of dancing in which an individual, usually a female, dances to music in a sexually provocative manner involving thrusting hip movements and a low squatting stance."
One thing I always take note of when examining a chart is where the Moon has been and where it is headed - its separating and applying aspects. In this case we see the Moon has separated from a conjunction with Pluto, then a square from Chiron - with my traditional hat on, I forgo the aspects with Pluto and Chiron, as they are transpersonal bodies and are invisible to the naked eye, and instead note the Moon is visibly separating in a square aspect from Saturn. And its next visible application is with Mercury. Firmicus Maternus, a 4th century astrologer, writes about the Moon's translation of light from Saturn to Mercury:
"But if the Moon had little light, then either it impedes the sound of the voice or deafens the ears. But it also debilitates the bodies of those who have it thus with wretched weariness; it makes persons suffering from melancholy, jaundiced, splenetic [bad-tempered; spiteful], consumptives [wasting], those suffering from dropsy, [or] lung disease..."
He goes on, but I think you get the picture.
Saturn has a few faces in astrology. It is the father, sometimes the king, or a worker of the land, or the people. At other times, a dark figure or criminal. Most often it is associated with older men, gives a serious approach, and is connected with the ripening of karma (or fate). It can also be indicative of illness, or makes bodies slender and with angular features.
Another biggie on my list: I look for planetary stations. And voila, Mercury! - and Mars.
Cyrus has a heliacal rise Mercury. It is about to station direct - within a week of her birth to be exact (what we call phasis). And this happens to show up with some frequency in the charts of those special souls who have something to communicate to the world - either vocally, or technically (see Bill Gates and Steve Jobs charts), or to SELL us something. Mercury is the great "merkerter" after all. Here Mercury is in the sign of the Scorpion, a water sign where Venus and Mars rule by triplicity (highlighting passions, love and strife) and is retrograding back to a conjunction with Pluto. It has a fierce bite.
Speaking of fierce, the other planet close to its station, Mars, turned direct about five days before her birth (also a phasis). Essentially what this means is the two planets, that also happen to be in closest aspect in her chart (another on the A-list in my sequence of delineation), are nearly standing still in their fervent watery embrace. And it is on this day that their kiss - or excessively sexualized message (Mercury), as Sinead O'Connor warns - perfects. This perfection occurs at about noon, when the sun culminates - which is, in fact, another way to look at a chart without a known birth time: the rising or culminating chart for the sun on the day in question.
A key to understanding all the passion, fusion, creativity, love/hate, and muse-seeking sides to water, as mentioned above, is in the element's two primary trigon lords, Venus and Mars (the Moon is a participating ruler). In Cyrus' chart we see all of her nocturnal planets (Venus, Mars, Moon) in the yin/feminine signs (earth/water), and all of her daytime sect planets (Sun, Jupiter, Saturn) in their own triplicity as well (fire/air). This gives her a kind of comfort in her skin, not that it makes observers comfortable in their own.
Her Venus is posited in the 'traditionally' lusty sign, Capricorn - and I'm willing to make a very predictable prediction: there will be more Cyrus controversy in the news in the coming months. Venus begins her infrequent retrograde cycle soon, stationing Rx on the solstice, Dec. 21, @ 28'58 Capricorn, and turns direct on Jan. 31 @ 13'33 Capricorn. This is one degrees from Cyrus' Venus.
Cyrus' Venus is configured with Uranus - a defiant oddball at worst - and at best a refined, striking, and original beauty, a grace hard to surpass (think of Elizabeth Taylor). However Taylor unlike Cyrus had Venus in Aries contra-antiscion her Pisces Sun and dispositing to her Pisces Mars. Pisces being the exaltation sign of Venus elevated its position in Aries, for Taylor, to something pretty remarkable, though it was still in detriment, and in the sign of Mars, associated with cutting and separations, and so not without difficulty (visible in her relationships). Cyrus on the other hand has Venus dispositing to Saturn in Aquarius where Saturn has strength, but its offering to Venus is indirect and without reception. Nor is there an aspect between them. To me it feels a little like the old patriarch pulling the lipstick and powder puff strings from behind the curtain, calculated and measured. It feels stiff.
Venus is also configured with Jupiter in a square aspect. This dominating square from Jupiter in Libra to Venus in Capricorn, the sign of Jupiter's fall, may help explain how abundance explodes [or implodes] into a pretty tasteless and materialistic excess. 'The business of beauty.' Though Venus does benefit in the exchange. Saturn too, ruler of the ninth and tenth houses of travel and profession, is greatly helped receiving this blessing-filled trine from the great benefic (Ju) posited in the sign of the reaper's (Sa) exaltation: Libra.
Of special note: the planetary periods for Venus and Jupiter have been activated this year while Cyrus is 20 years of age; Venus = 8 years and Jupiter = 12 years (8+12=20). And this activation is even more potent as the planets are in aspect. The time for a tacky boom is now, apparently.
Contra-antiscia: Sun Mars
Her latest work: Wrecking Ball
Previous work: We Can't Stop
Sun|Mars from Ebertin's
The Combination of Stellar Influences :
courage to fight
the power of attainment
the desire to be in the limelight
inclination to quarrel
And it seems she will stop at nothing...
Updated chart with twelfth-parts is quite illuminating! Look where Venus and Mars' t-p fall.